Design page

The 1960s

Pop art and the psychedelic poster: a fat display face, a Swiss grotesque for the reading, and hot magenta, orange and acid green on cream.

Colour

Every colour is a token on [data-decade="60s"] in decades.css; nothing in the markup names a hex. The last column is the measured WCAG contrast against the page background (or, for the accent ink, against the accent fill).

TokenValueUseContrast
--bg#FFF4D6Page. A warm poster stock, not whitePage background
--bg-2#FFE3A0Tinted panels and quote backgroundsBackground; text on it is checked below
--tx#1F1A3DAll running text15.05:1 on bg
--tx-2#5C5478Secondary text, captions6.40:1 on bg
--primary#A8105FLinks, outline buttons, current nav item6.60:1 on bg
--accent#FF6A13Filled button, quote bar, decorationFill only; see accent-ink
--accent-ink#1F1A3DText on the accent fill5.75:1 on accent
--decor#7CB518Decoration only, never behind textNever behind or as text
--ui#E6B6D8Rules and bordersBorder, 1px rules
--ui-strong#1F1A3DForm field borders15.05:1 on bg
--focus#1F1A3DFocus ring15.05:1 on bg
--danger#B3001BErrors6.53:1 on bg
Contrast checks run at build time
PairMeasuredNeededResult
tx on bg15.05:14.5:1Pass
tx-2 on bg6.4:14.5:1Pass
tx on bg-213.15:14.5:1Pass
tx-2 on bg-25.59:14.5:1Pass
primary on bg6.6:14.5:1Pass
primary on bg-25.77:14.5:1Pass
accent-ink on accent5.75:14.5:1Pass
danger on bg6.53:14.5:1Pass
focus on bg15.05:13:1Pass
ui-strong on bg15.05:13:1Pass

Text pairs need 4.5:1 (WCAG 1.4.3). The focus ring and field borders need 3:1 (1.4.11). A failing pair stops the build.

Why these choices

  • Display: Bowlby One, a fat rounded face in the line of Cooper Black, which the decade's record sleeves and posters leaned on. Big, friendly, slightly cartoonish, as the decade's pop art was.
  • Body: Archivo, a grotesque in the Helvetica family. Helvetica (1957) was the sans of the sixties, from Swiss corporate work to the New York subway.
  • Colour: the San Francisco poster palette (Wes Wilson, Victor Moscoso) was hot magenta, orange and acid green pushed against each other. Here they are tamed for reading: the magenta is darkened until it passes as a link, the orange and green are kept for fills and decoration only.
  • Shape: round everything. Pill buttons with a hard green drop, deep corner radii, thick rules.
  • Television: a walnut console on splayed legs, a deeply rounded black-and-white tube, two bakelite dials. The ident is a plain white caption, as a 405-line picture would have carried it.

Type

Display

1960s number ones

--font-display: 'Bowlby One', 'Arial Black', Impact, sans-serif

Body

"It's Not Unusual" is a song written by Les Reed and Gordon Mills, first recorded by a then-unknown Tom Jones, after it had first been offered to Sandie Shaw.

--font-body: Archivo, Helvetica, Arial, sans-serif

Utility

Captions, labels, code and table headings. Never below 16px.

--font-utility: Archivo, Helvetica, Arial, sans-serif

Scale

  • h1Heading one
  • h2Heading two
  • h3Heading three
  • ledeLede paragraph at 1.25rem
  • bodyBody text at 1.0625rem, line height 1.6, 68 characters wide
  • floorThe smallest text on the page, 1rem (16px)

Decoration

A three-colour line and three shapes. The markup is the same on every page: three spans for the line, three for the shapes. The decade's CSS decides what a line and a shape are here, in its own three tokens (primary, accent, decor).

The line

The shapes

Behind a page's opening, kept to the right and the corners so they never sit under the text.

Television

A song page plays its video on the decade's own set. With a video id the embed sits in the screen; without one the screen carries an ident and a play link.

Play 1960s hits on YouTube
The same markup on every decade page and every song page; only the decade's CSS changes the set.

Components

Buttons

One primary button per group. The outline button is the comparable second action. Each decade shapes them its own way; see "Why these choices".

Links in text

Every link is coloured and underlined, so it reads as a link without colour alone. Only buttons and cards drop the underline. For example, the full listing.

Cards

A grid of equal-weight linked items. Each title is a real heading and the whole card is one link.

It's Not Unusual

"It's Not Unusual" is a song written by Les Reed and Gordon Mills, first recorded by a then-unknown Tom Jones, after it had first been offered to Sandie Shaw.

Release Me

"Release Me" (sometimes rendered as "Release Me (and Let Me Love Again)") is a country song written by Eddie Miller and Robert Yount in 1949.

Panel

A panel groups content with nothing clickable inside, so it is flat and does not look pressable. "It's Not Unusual" is a song written by Les Reed and Gordon Mills, first recorded by a then-unknown Tom Jones, after it had first been offered to Sandie Shaw.

Quote

"These Boots Are Made for Walkin'" is a hit song written by Lee Hazlewood and recorded by American singer Nancy Sinatra. It charted on January 22, 1966, and reached No.

Wikipedia, These Boots Are Made for Walkin'

Tags

1965 1966 1967 1960s

Disclosure

How the decade is chosen

A song's decade follows from its year and is never stored. 1983 is the 80s; 2007 is the 2000s.

Table

YearSingleArtistWeeks
1965It's Not UnusualTom Jones1
1966These Boots Are Made for Walkin'Nancy Sinatra4
1967Release MeEngelbert Humperdinck6
1968Cinderella RockefellaEsther & Abi Ofarim3
1969Where Do You Go To (My Lovely)?Peter Sarstedt4

Forms

Labels above fields, hints below labels, what is optional said so, errors in a summary at the top and again by the field. Nothing here submits anywhere.

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1960s number ones on 13 March

  1. 1965It's Not Unusual Tom Jones
  2. 1966These Boots Are Made for Walkin' Nancy Sinatra
  3. 1967Release Me Engelbert Humperdinck
  4. 1968Cinderella Rockefella Esther & Abi Ofarim
  5. 1969Where Do You Go To (My Lovely)? Peter Sarstedt